Euclid was trying to convey his idea of a geometrical point.
欧几里德正试图表达他的一个几何学观点。
At first, the scientists believed the geometrical figure carved onto the antler could have been either the mentioned woman, or a nude man raising his arms.
起初,科学家们认为刻在鹿角上的几何图形可能是之前提到的那个女人,也可能是一个举着双臂的裸体男人。
Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?
同样的方法是否也适用于二十世纪的抽象作品呢?从蒙德里安的几何色块,到波洛克在画布上喷溅颜料看似随意的布局?
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