In their works, no other than flat gender symbol, no other than synthetic with varied services, women are realistic figures with their own joy and angers.
在她们的作品里，女性不再是一个扁平的性别符号，也不再是一个携带种种服务功能的综合物，而是一个具有喜怒哀乐的真实的人物形象。
A symbol of the theory is based on consumption. The survey data found that gender and useful value and symbols of consumer are relevant.
以符号消费的理论为依据，通过调查数据发现，性别与使用价值和符号消费具有相关性。
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