For those who are ascending, you may call on the fourth octave of love to harmonize a disharmonious circumstance.
对那些提升者来说,你能召唤此音阶来协调不协调的境况。
So, they had the ratio of two to one, which gave them the octave, and three to two, which gave them the fifth, and four to three, which gave them the fourth.
他们发现,八度音程中,呈现的是二比一的比例,而五度音程中呈现三比二的比例,在四度音程中则呈现四比三的比例
So we're going to listen now to the end of Strauss's Death and Transfiguration, and again we've got the idea of the octave, then the fifth, then the fourth.
我们下面会,听施特劳斯的死亡与净化直至结束,我们再次了解了八度音阶,然后是第五音阶,第四音阶
That's a fourth but it happens to produce an octave against that.
这个是四度,但它碰巧产生一个八度音阶,与另一个形成对比
So we're going to listen now to the end of Strauss's Death and Transfiguration, and again we've got the idea of the octave, then the fifth, then the fourth.
我们下面会,听施特劳斯的死亡与净化直至结束,我们再次了解了八度音阶,然后是第五音阶,第四音阶
French horn, yeah,but notice that if we take this aggregate-- and we're back to that same idea of the octave,the fifth,the fourth and the third, sort of,so it's again sort of primordial, this particular acoustical basis of so much of music.
法国号,对,但是注意,从总体的角度来看-,我们又回到了八度的概念,第五,第四,第三,大概是这样,所以这依然是是很基础的形式,许许多多音乐都是以这一种形式为声学基础的。
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