The filmmaker of that time after grasped the basic skill of film narrate, began to interpret political proposition as the basis in their films. At the same time, a special personal style of ethnic aesthetic appreciation had developed.
这个时代的电影工作者,在自己的影片中均以解释政治主张为出发点,并在熟悉和掌握了必要的电影叙事的技巧后,逐渐形成了具有民族审美形态的个人风格。
参考来源 - “十七年”时期南方少数民族题材电影的叙事研究·2,447,543篇论文数据,部分数据来源于NoteExpress
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