In his letter hu feng raised three questions of principle which we have deemed it necessary to repudiate at some length.

胡风在这封信里提出了三个原则性的问题，我们认为有加以详细驳斥的必要。

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This paper deals with Hu Feng′s aesthetic interest and the art features of the Approach of July Poetry by means of the analysis of Hu′s language art and language style.

本文通过分析胡风诗歌的语言艺术探讨他的言语风格，从而揭示胡风的审美趣味，并整体把握“七月诗派”的艺术特征。

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War term, power of popularization, europeaniztion of venacular and localization of Hu-feng ownself results in vary entanglement of Hu-feng Discourse.

战争化的术语，大众化的时代强势，白话欧化的坚持，以及由于胡风自己在语言上的局限，就使他的话语有了种种纠结。

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