A twin of Del Toro's beautiful Civil War picture, the Devil's Backbone, Pan's Labyrinth gives us tragedy through the filter of fantasy, going deep into a well of suffering and magic.
德尔托罗关于内战的瑰丽景象中,《鬼童院》和《潘神的迷宫》就像是一对双胞胎,后者透过梦幻的滤镜给我们讲了一个悲剧,潜入至一口充斥痛苦与魔法的深井。
Snoopy, with his vivid fantasy life as a World War I pilot, didn't resonate in the way that MetLife would hope: In other words, Snoopy apparently didn't chase consumers into insurance offices.
史努比和它在第一次世界大战王牌飞行员生动的奇幻生活,无法与大都会人寿所期望的形象产生共鸣:换句话说,史努比显然没有驱使消费者参与到保险业务中去。
The soldier becomes, in fantasy here, the spectator, as the war turns around and comes back, reversed by a kind of evil charm or spell, coming home.
在想象中这名士兵成为了旁观者,在战争转回再次回来的时候,被一种邪恶的咒语推翻,再次回来。
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