The author holds that fake singing, as a sociocultural stuff, is inevitable as the society goes more industrialized.
作者认为，假唱作为一种社会文化现象，是工业文明的必然产物。
In addition, the fake singing in Chinese drama has blurred the confines of female and male's voice without mentioning the harmony.
加之中国戏剧中的以假嗓歌唱，又模糊了男女声的界线，和声自然更无从谈起。
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