As we get a little more familiar with light and begin to develop an understanding of how it effects our photographs, a lot of us tend to move away from using artificial light, especially flashes.
Asweget a little more familiar withlight and begin to develop an understanding of how it effects our photographs, a lot of ustend to move away fromusingartificial light, especiallyflashes.
This is especially useful in low-light situations like party shots, indoors or dusk where built-in flashes have historically struggled to reach far-away subjects and capture all important details of a scene.