He looked for combining between natural style and forever hero characters which seemed to escape from the traditional style-fenggu, returned to adoring on hero characters.
主张以寂寞真淳之心写忧愤清刚之情,在风格上寻找天然风韵与万古英雄之气的统一,似乎在摆脱以“风骨”为特色的格调论,返回到对诗文豪气的推崇。
It is hardly difficult to understand the close relationship between these two as no instruction can escape from the control and mastery of The Times.
这是很难很难理解这两者之间的密切关系,没有指令可以脱离时代的控制和掌握。
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