Opposed to this is another school consisting of “returned” artists from overseas studies - from the end of the Qing dynasty to the Republican era, there was a group of artists who studied abroad for their professional training in oil painting. These included Xu Beihong, Lin Fengmian, etc. They returned to China with training in Western composition, and hoped to reform Chinese painting by appropriating the strengths of western art. They felt they could advance and rescue Chinese painting that had been imitating tradition and lacking creativity since the end of the Qing.

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