In chapter 3, the author analysis the aesthetic factors of the tragic sense: that is, the use of illness, sorrow, coldness, ugliness and oddity as beauty.
在第三章，就李贺诗歌悲剧意识的审美从五方面进行了分析：以“病”为美、以“悲”为美、以“寒”为美、以“丑”为美、以“怪”为美。
The tragic sense embedded at the core of her poems results from the fact that the poetess knows the imperfection of life as well as the limit of human faculty.
其诗内核是悲剧性的，因为诗人懂得生命的残缺，了解人力的有限。
The third chapter in the tragic sense of classical aesthetics, tries to find out the animation art aesthetic paradigm Narrative tension and depth of support points of thinking.
第三章从经典美学中的悲剧意识出发，试图寻找出动画艺术文本叙事范式的审美张力与思维深度的支撑点。
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