The end of the death of God is the death of human.
上帝之死的结局就是人之死。
Modern poetry arises, in Eliot's case, with the death of god.
现代诗崛起了,在艾略特这里,它的崛起伴随着上帝的死亡。
Nietzsche declares the death of God, and put forward the "Superman Theory".
尼采宣告上帝死了,提出了“超人”理论。
Nietzsche announced the death of God and Dostoyevsky's Grand Inquisitor asserted that when God is dead all things are permitted.
尼采说上帝死了,陀思妥耶夫斯基的宗教法庭审判官声称,当上帝死亡时一切事物都是允许的
Modern poetry arises, in Eliot's case, with the death of God, with the loss of a theological justification for life, with a sense of disenchantment, a sense of depletion, depletion of meaning and value.
在艾略特而言,现代诗歌的兴起,与对上帝信仰的消失,以及对生活不再在理论使其合理化,及人们的觉醒,对意义和价值的耗尽是相伴相随的。
Yes, Barthes talks about the death of the author, but even Barthes doesn't mean that the author is dead like Nietzsche's God. The author is there, sure.
是的,巴尔特谈到了作者已死的问题,但和尼采所说的上帝已死这个层面上的内容还是有所不同,作者肯定就在那里。
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