Even though I had been assured that the tags wouldn't hurt the walruses because of their tough skin and thick layer of blubber, I was still relieved to see that the animal barely seemed to notice the tag as it landed on its hide.
Howard Davies directs this tale of three generations of a dysfunctional family in their seaside, 1930s Art Deco house in Devon, reconstructed by designer Vicki Mortimer, in a way that tells you all you need to know: the mess is incredible though the real estate is obviously valuable, and the Che Guevara poster tags Judy's political views.