Hal2 liday , 1971 , 1985) 的“文体就是意义潜势”(Style as meaning potential) 和“文体就是前景化”( Style as foregrounding) ; 恩 克威斯特 (N. E.
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He has put forward style as meaning potential or motivated prominence, expounding on the nature and goals of style from the functional perspective.
他提出文体即‘意义潜势’或‘有动因的突出’,从功能角度诠释了文体的性质和文体的目的。
Such factors of dreams constitute the aesthetic potential of dreamland as the mode of imago manifestation, irrational free style and dream's meaning.
梦的意象化表现方式、非理性的自由形态、梦的意义的建构等因素构成梦境的审美潜质。
He has put forward style as "meaning potential" or "motivated prominence", expounding on the nature and goals of style from the functional perspective.
他提出了文体即“意义潜势”或“有动因突出”,从功能角度诠释了文体的性质和文体的目的。
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