In medieval and Renaissance times, gesso (plaster of Paris mixed with glue) was applied to wood panels, plaster, stone, or canvas to provide the ground for tempera and oil painting.
在中世纪和文艺复兴时期,石膏粉(熟石膏和动物胶的混合物)被涂抹于木版、胶布、石头或帆布上,用做蛋彩画和油画的背景。
There were Hou Junming 's drawing scene of Colorful Streams Falling to Ground for U Theatre, and Huang Mingchuan's screening of experimental films or documentaries at Story of Wood and Stone Gallery.
侯俊明为“优剧场”绘制“七彩溪水落地扫”场景,以及黄明川在“木石缘”画廊放映实验电影或纪录片。
The old man then led him into a wood. He pointed to a hole in the ground. It looked like the hole made by a big rabbit. Inside, the hole GREw bigger and a little stone door could be seen.
然后,那位老人就带他到森林里,他指了指地上的一个洞,这个洞看上去像大兔子挖的,越往里面洞也越大,可以看到一扇小石门。
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