Galileo is the only contemporary personage, the only seventeenth-century figure, even so much as mentioned in Paradise Lost.
伽利略是唯一的当代人物,唯一的17世纪人物,甚至在《失乐园》里也有提及。
However, by presenting so much information in one visual image, the core message is lost in the details.
不过,通过在一个可视图像中提供这么多信息,会让核心信息被细节所淹没。
No proper metering tracks the output of crude oil, so no one knows exactly how much Nigeria produces or how much is lost in transit.
没有合适的测量方法去确定原油的产量,所以没有人准确的知道尼日利亚究竟生产了多少石油,同样也没有人知道在运送过程上损失了多少。
Galileo is the only contemporary personage, the only seventeenth-century figure, even so much as mentioned in Paradise Lost.
伽利略是唯一的一个当代人物,唯一的一个17世纪的人物,甚至在里也提到了这点。
That's because to suggest -- just think of it - to suggest that Milton is relying on his memory as he composes so allusively and so dependently, in a lot of ways, so much of Paradise Lost - to say that is simply to say that the poem has been generated by Milton and not by God.
让我们来设想一下其中的原因吧,假设弥尔顿全靠着他的记忆,正如他隐晦而连续地在《失乐园》中引经据典,并将这些以多种方式组合,这在《失乐园》中随处可见,以至于人们可以简单地说这部诗,是出自弥尔顿而非上帝的创作。
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