"For people who are not C. E. O. s, the threat is people scanning the Internet for accessible webcams for a range of motives, from voyeurism to extortion," Mr. Cobb wrote in an email.

“对于不是重要人物的人来说，威胁在于，在网上寻找可操纵摄像头的人可能是出于一系列动机，从窥探他人隐私到敲诈勒索，”科布在一封电子邮件中写道。

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She is a malcontent, the dream-like projection of Cobb's dead wife.

VOA: standard.2010.07.20

Using a combination of technology and pharmacology, he exploits a technique that brings Cobb and his team into a client's or victim's sleep to search out personal or business secrets.

VOA: standard.2010.07.16

He wants to live a normal life. To do that he must perform one last job for Saito, a mega tycoon who holds the key to Cobb's safe return to the United States.

VOA: standard.2010.07.20

Roskam had what he described as a "general understanding" of Cobb's personality and exploits as a ballplayer until the day seven years ago that he helped his grandparents, Thomas McLaren and Beverly Cobb McLaren, clean out their garage.

WSJ: Ty Cobb: A Juicy Look At the Georgia Peach

In another, one of Cobb's sons stands in front of a Coca-Cola sign a fitting juxtaposition because Cobb made millions as an early investor in the soft-drink company.

WSJ: Ty Cobb: A Juicy Look At the Georgia Peach

It took about a month to make all three paintings, a process that was slowed by Mr. Boyle's request that Mr. Cobb shoot stop-motion photographs every few brush strokes, for a sequence toward the end of the film in which the painting gets "unpainted" so that the audience can appreciate all the layers involved in creating the work.

WSJ: Forging Ahead With a Goya Classic