Decoded in the perspective of the demand of time, historical connotation, and the unique arts creation, the 20th century reportage has its own social value and literary orientation.

如果从时代需要、历史内涵和独特的艺术创造等方面来解读，可以发现20世纪国际报告文学特有的社会价值和文学定位。

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But because of the traditional literary concepts, literary theoretician categorized reportage as "non-literature" or "sub-literature", not as the true literature.

但困于传统的文学观念，一些文艺理论家将其贬为“非文学”或“亚文学”，不将其纳入文学史范畴研究。

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This essay demonstrates such a viewpoint that moderate making-up is permitted in the writing of reportage because of its literary characteristics and realistic characteristics.

本文从报告文学的文学性和真实性两方面的特征入手，阐述了报告文学在写作过程中允许适当虚构的观点。

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