Take the distinction between plot and story.
让我们来看看故事和情节的区别。
It's just the opposite of the usual relationship between plot and story.
这和常见的情节和故事的关系很不一样。
For example, he begins by borrowing the Russian formalist distinction in trying to explain what fiction is between plot and story.
举个例子,他开篇在解释那种文体介于情节和故事之间时,借用了俄国结构主义的特点。
For example, he begins by borrowing the Russian formalist distinction in trying to explain what fiction is between plot and story.
举个例子,他开篇在解释那种文体介于情节和故事之间时,借用了俄国结构主义的特点。
But, you know, the formalists' own basic distinctions are dualistic, aren't they: the distinction between poetic and practical language, the distinction between plot and story, the distinction between rhythm and meter?
但是,形式主义所认为的区别却是双重标准的,诗歌语言和实用语言的区别,情节和故事的区别,节奏和韵律的区别?
Embedded within the explicit plot of the simile is a secret, a kind of buried narrative, and it's a hidden story that illustrates Satan's self-destruction.
深藏在这个比喻精巧的情节布局里的,是一个秘密,一个被深埋已久的故事,一个隐藏着的,阐述了撒旦自我毁灭的故事。
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