The brush and ink technique in "the Resurgence of Painting Theory During the Daoguang and Xianfeng Period" characterized by the combination of "wet, thick and black ink" and "epigraphy-brush".
“道咸画学中兴”说的笔墨主要就是“湿、浓、黑”三墨与“碑学用笔”的结合。
Chapter one describes the social situation in Shandong in Daoguang and Xianfeng period.
第一章，主要讲述道咸时期山东社会状况。
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