The new realistic fiction, flourished in the middle of 1980s, received different condemnations from the literary critic field.
以鲁迅的创作及中国传统文化为参照，分析新写实小说在创作上存在的缺陷。
Tragedy hides in the new realistic fiction, being objectively influenced by traditional Chinese culture and subjectively linked with the dual change in the identity of the author.
悲剧隐匿于新现实主义小说，客观上受中国传统文化的影响，主观上则与作家身份的双重变化相通。
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