Bring forward self to some view of tragedy spirit possibility exceeding under modern language boundary in the day after tomorrow thereby.

从而提出自己对悲剧精神在后现代语境下超越的可能性的一些看法。

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The author, from perspectives of literature and philosophy, has explored modern consciousness and tragedy spirit in deeper sense, thus highlighting the modern significance in quasi-myth novel writing.

作者从文学和哲学的双重角度来探讨现代意识和悲剧精神的深层意蕴，以此突显拟神话小说写作的现代意义。

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