On "Fatal Attraction" (1987), "a very very scary film", as he found it, Adrian Lyne instructed him just to write "something discreet" whenever a scene was horrible.
在《致命诱惑》(1987)-贾尔说它是“很吓人很吓人的一个片子”-中，阿德里安·莱恩让他在每个惊悚场景写一点不引人注目的音乐就行了。
My goal was just to write some new form of horror story, something based on the ordinary world. Without supernatural monster or magic.
我的目标是写一些形式新颖的惊悚故事，一些源于平凡世界的，没有超自然怪兽和魔法的故事。
So just basing on one or two words, they write something deviated entirely from what you meant.
但是他们就拿着你讲的中间的一两个字去写出很多东西，根本和你原来讲的意思是两码事。
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