In the Ghirlandaio workshop's "Adoration of the Shepherds with Filippo Strozzi", for example, a kneeling banker in a mud-brown tunic basks in the infant Christ's gaze (pictured).

例如，在基尔兰达约画室里的“菲利普·诗特洛齐和朝拜的牧羊人”就描绘了一位单膝跪地，身穿棕色外套的银行家沐浴在婴儿基督的凝视下。

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We can measure Benedetto da Maiano's preparatory terra-cotta bust of the tough-minded Florentine banker Filippo Strozzi against the finished marble version (both 1475).

WSJ: The Renaissance Portrait | From Out of a Featureless Crowd | By Karen Wilkin