The expression-spirit theory of Chinese ancient opera, is a guiding theory of creating character image on stage.
中国古代戏曲中的形神理论，是关于舞台人物形象塑造的指导性理论。
The company did take precautions when creating this updated image, careful not to overdo the classic character too much.
公司在创造新的形象的时候做了预防措施，小心的不要把原来的人物形象做的过度。
Thus there is an austere character that contrasts with a transparent image creating a slight contradiction between the visible image and the physical experience.
因此，增加了一个与透明图像形成对比的无装饰的构件，这也是为可见图像和物理体验间制造一点矛盾。
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