Scholars understanding of Chinese tragedy had undergone four stages in modern and contemporary times.
近现代以来中国学者对中国悲剧的认识经历了四个大的阶段。
The entire research about Chinese modern view of tragedy began with the debate of tragedy in the 70s and 80s of the last century.
对于中国现代悲剧观念的较全面研究，是随着七十年代末八十年代初的悲剧讨论慢慢展开的。
Tragedy consciousness breaks the happy ending mode in Chinese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modern drama.
悲剧意识的形成打破了中国传统戏剧的“大团圆”模式，成为中国话剧初创时期的主导艺术特色。
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