There wasn't the word of "symbol" in esthetics category of Ancient China, but it could not explain there weren't symbolic literature theory in Chinese ancient literature.
在中国古代美学范畴中虽没有“象征”一词，但这并不能说明中国古代文学当中没有象征性的文学理论。
An analysis of literature theory and literary criticism practice of ancient China helps to examine the peculiar poetic-speech mode and its features.
对中国古代文学理论范畴的梳理以及对古代文学批评实践的考察，可以归纳出中国古代文学批评中特有的诗意言说方式及其特点。
The "Zhi Yin"in Liu Xie's Carving a Dragon at the Core of Literature is the more perfect theory of criticism and acceptance in ancient China.
刘勰《文心雕龙·知音》篇是中国古代较为完整的批评和接受理论，若以现代西方接受美学的视角进行观照，则“知音”批评也是以读者为核心建立起来的批评理论；
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