all fiction 纯属虚构/弥天大谎(All Fiction) 将指定的事物变虚构情况,用短小而粗的十字螺丝钉瞄准(实际上可以不需要,只是因为这样比较醒目而已),而即是受伤、视力、死.
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All fiction, in fact, is fan fiction.
实际上,所有的小说都是同人小说。
This would be a departure for her because she buys "20 or 30 new books a year, all paperback, all fiction".
这有点违背她的消费习惯,她一般每年购买20到30本新书,不过都是平装本。
It neatly addresses a paradox at the heart of all fiction: that the best fabrication seems true; that a make-believe world can be built so intricately that readers feel its edges.
此书阐明了所有小说的一个悖论之处:编的最好的故事一定是看起来最真实的;作者精妙构思的虚拟世界看起来如此真实,读者们几乎可以感觉到这个世界就在身边。
Six years later when Milton writes Lycidas, he's employing the same fiction of unreadiness and filled with all of the same anxiety of under-preparedness.
六年后弥尔顿写《利西达斯》的时候,表现的还是这种未准备好的状态,充满了同样的为薄发而厚积时的焦躁。
What's the relationship between fiction and what we all experience as the real world?
小说和我们的现实经历,的关系又是什么?
Once we sort of settle into this vocabulary, and once we get used to this clearly unquestioningly scientific perspective, why on earth do we need pseudo-statement or fiction at all?
一旦我们习惯了这种用语,一旦我们习惯了,这种科学视角,我们为什么还需要伪陈述和虚构呢?
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