The paper approaches Richard Wagner's, who was the great master of the 19th European romanticism music, artistic ideas, style and its influences to his afterworld from the aesthetics angles.
本论文从美学的角度，探讨了19世纪欧洲浪漫主义音乐大师瓦格纳的创作思想、风格以及对后世的影响。
The subversion of transcendental aesthetics and literary theory has become a poetics subject put forward by pre-romanticism and romanticism in the West.
消解超验性美学、超验性理论乃西方前浪漫主义、浪漫主义批评的一个诗学主题。
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