同样的方法是否也适用于二十世纪的抽象作品呢？从蒙德里安的几何色块，到波洛克在画布上喷溅颜料看似随意的布局？

Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?

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“我想让你记住，”我的主人说，“没有那些颜料，你永远不会成为完美的作品。”

"I want you to remember," my master said, "without those paints, you would never be a perfect product."

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基于此观测结果，科学家们推断梵高混用白与黄颜料的手法可能是造成其作品中黄颜色日渐发暗的“罪魁祸首”。

Based on this observation, the scientists speculate that van Gogh's technique of blending white and yellow paint might be the cause of the darkening of his yellow paint.

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