自然中保留了一些“非同一性”（non-identity）的残余，保留了一些原初的真实样式，前卫艺术则自觉地以非同一性挑战同一性，用它的荒诞不经揭示了真实的存在。
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Starting with his non-identity thinking, it treats of the negative dialectics between people and society, reality and art so as to clarify the social critical function of art.
从阿多诺非同一性的思维方式入手,展开人与社会、现实与艺术之间的否定辩证法,阐释艺术的社会批判功能。
参考来源 - 阿多诺否定美学的现时观照及其对文艺创作的意义Part 4: Identity is so terrible that it integrates man from head to foot, depresses and eliminates his nature. Thus it is urgent to rebuild a non-identity living style which is suitable for man to exist.
第四部分，同一性如此恐怖，对人自上而下进行整合、压制和取消，重建一种合乎人自身生存的“非同一性”生存方式就显得日益紧迫。
参考来源 - 对同一性的否定和抗拒—阿多诺批判理论中的生存论解读·2,447,543篇论文数据，部分数据来源于NoteExpress
收益者与开发者宏观分离，具有非同一性；
Third, the rewarder and exploitationer mutually separate macroscopically, and haven't have the sameness.
从阿多诺非同一性的思维方式入手，展开人与社会、现实与艺术之间的否定辩证法，阐释艺术的社会批判功能。
Starting with his non-identity thinking, it treats of the negative dialectics between people and society, reality and art so as to clarify the social critical function of art.
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