新达达主义者的作品，如丁格利的自毁作品「向纽约致敬」（1960），具体表现出一件雕刻品的概念就是它同时作用在物体和发生的事件上。

Neo-Dadaist works such as Jean Tinguely's self-destructing Homage to New York (1960) embody the concept of a sculpture that functions as both an object and an event-a "happening."

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他已练就了在微观物体表面雕刻字母的绝佳技艺，包括雕刻螺丝钉的尖端、饰针的顶部和曲别针的尖端。

He has perfected a technique of etching letters onto microscopic surfaces-including the tip of a screw, the head of a pin and the pointed end of a paperclip.

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