任何样式的中国画的色彩表现都是以超越物象的客观情状而直接指向心性情意为最高境界。
Any style of Chinese painting is to go beyond the color images show the objective of situation and feelings directly to the highest state of Mind.
境离不开象，但又不等于象，而是超越于画中物象之外的深层意蕴。
It does not equal to image, but is beyond profound connotation of images of objects in painting.
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