50 导论 伽达默尔在《镜中的诗与思——关丁荷尔德林＜追忆＞一诗》中认为，“诗与思”（dichten und denken）这个主题对每个人都很亲近，就囚为诗人荷尔德林和思想家黑格尔，他们是同 时代人，他们在时代命运上相近，一个是“不幸”的伟人诗...
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Throughout all Ke-Ling's Prose, the pestertion of poetry and thought, Isolation and the pursuit of deep integration through his creativity process.
纵观柯灵全部散文,诗与思的纠结、分离与追求深度融合贯穿其创作历程。
参考来源 - 诗与思的追求：柯灵散文创作特征论·2,447,543篇论文数据，部分数据来源于NoteExpress
基于这一跳越，“语言与存在”这一主题被突显出来，思语言就得思诗与思的关联。
On the basis of this comes the outstanding topic-Language and Existence. As we are thinking of a language, we have to consider the relationship between poetry and thought.
海德格尔对荷尔德林诗歌的阐释，目的是进行诗与思的对话，归根结底还是探讨存在。
Heidegger explanted Hoelderlin's poem for the dialogue of poem and thinking. but the ultimate goal is discussion of being.
诗与思的另一面是诗与音乐，它们都是时间艺术，其时间存在不是物理时间，而是现象学所谓的本源性时间。
The other side of poetry and thought is poetry and music, which are both temporal art, existing not in physical time but in original time as advocated by phenomenology.
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