虽然制片人感觉找她拍片越来越难，不过在1997年的《连锁阴谋》中我们还是看到了她。

Although filmmakers were finding it hard to sign her, it was 1997's "Conspiracy Theory", that landed the deal.

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Now given this, the romance frame of Milton's Comus, - we're not surprised actually to see -- even though we don't see at the end her actually getting married, we're not surprised to see the Lady in this speech embracing the form of chastity that promises something like an eventual turn to marriage.

这样看来，弥尔顿《科玛斯》的传奇结构，我们实际上并不诧异看到-,虽然我们没有看到她最终结婚了，我们看到这个演说的女士,拥护承诺像是最终转向婚姻的贞节时,并不感到诧异。

耶鲁公开课 - 弥尔顿课程节选