审美批评是一种融合感性与理性的判断，它的目的是将艺术作品的美感传达出来。
Aesthetic critique is a judgement fusing sensibility with rationality whose objective is to convey the aesthetic feelings of artistic works.
梁宗岱以这种类似移情作用的美感经验的存在与否，作为判断象征主义作品的标准，并造成了其对广义象征主义与狭义象征主义的混淆。
Liang Zongdai judges symbolism works by aesthetic perception, which makes him confuse the broad sense of symbolism and the narrow sense of symbolism.
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