...美学意义和价值，只能算一个艺术成品（Artefact）；只有 经过读者的欣赏和诠释之后，才能成为一个美学的客体（Aesthetic Object）。诠释学 （Hermeneutics）这个词来源于古希腊神话的Hermes，他是为宙斯大神传达信息的使者。
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笔者旨在通过对审美主客体的美学研究，对诗歌翻译的审美标准、美学特征和艺术规律进行理论探索。
Based on the aesthetic recognition of verse translation, certain aesthetic theories will be applied in the study of both aesthetic objects and subjects.
客体性的公共性是跨文化美学的物质基础，而主体性的公共性是跨文化美学的生理和心理基础。
Objective of publicity is the material base of cross-cultural aesthetics, while, subjective of publicity are the physical and mental base of cross-cultural aesthetics.
从主、客体不同的两方面对绘画进行美学研究。使得“形”与“神”在绘画上开始对立起来。
Thus, the appearance and the spirit are presented through the objective and subjective study of the painting aesthetics.
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