主体部分共分三章，第一章吕澄的生平，以及他的美学思想形成的佛学背景。
The main part is divided into three chapters. The first chapter is about Lu Cheng's life and his ideological and aesthetic form of Buddhism background.
这个从平面到立体的过程，形成了时空艺术的瞬间闪现，天真烂漫而不悖理性精神的美学，使画家的思想自由驰翔，令其笔下生辉。
The transition of the theatrical mask art from a plane form to the present stereoscopic model represents the instantaneous flashes of the so-called time-space art.
本文认为，卢卡契论审美反映的主观性与胡风的“主观战斗精神”都从关注作家主体意识的角度上形成了独具特色的主体性美学思想。
This text tries to demonstrate that Georg Luckacs's "aesthetic subjectivity" and HuFeng's view of "subjective fighting spirit" both paid particular attentions to artists' subject consciousness.
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