而马克思所居住的纽约则显得阴郁得多，只有黑白灰三种颜色，直到玛丽给马克思寄来一个明红色的小绒球，马克思将它戴在自己的圆顶小帽上，才给画面带来一抹亮色。
Max's even more dismal New York is cast in jumbled patterns of black, white and grey, until Mary sends Max a bright red pom-pom which he wears atop his yarmulke.
随着红色慢慢混入各种各样新的颜色，我慢慢明白这场表演想要表达的不仅仅是搞笑的毛绒球。
As the new colors mingled with the red, I realized the performance means meant more than funny pom-poms.
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