然而，笔者认为虽然第六代电影人的努力是值得肯定的，但是在其作品中仍有着复杂而深彻的矛盾。
However, I believe that despite the efforts of the Sixth Generation film is worthy of recognition, but their works are still in a complex and thorough deep contradictions.
第六代电影人不再把死亡当作宏大叙事的一个载体，而是对死亡现象有了更多的思辨，并且在对其的审美表现上进行了更深层寓意的编码。
The Sixth Generation Film directors no longer regard the death as a body of grand narrative, but think more about the phenomenon of death and seek deeper implied meaning from its aesthetic form.
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