玻璃油画是清代初年从西洋传入的，如传教士郎世宁、王致诚，都画玻璃油画，并被认为是玻璃油画技法在中国最早的传播者。很多西方已消失的建筑物，在玻璃画中得以保存真相。也由无名艺人绘制，用油漆、反笔画出来的。
赫斯特作品里唯一显示复苏迹象的是蝴蝶油画，特别是使人联想起万花筒和彩色玻璃窗户的独翼作品。
The only Hirst pieces that are showing signs of recovery are butterfly paintings, particularly the wing-only works that evoke kaleidoscopes and stained-glass Windows.
基督手中所持的玻璃球有力地证明，最近清理出来的这幅油画是一重大新发现，其作者正是莱昂纳多·达·芬奇本人。
The glass sphere that Christ holds in one hand may well prove the clinching evidence that a recently cleaned painting is a newly discovered work by none other than Leonardo da Vinci.
这幅由玻璃纤维和强化塑料制成的油画，高6米(20尺)，宽4.6米(15尺)，重达1.5吨。
The paintings, now made of glass fibre and reinforced plastic, are six meters (20 feet) high and 4.6 meters (15 feet) wide, and weigh up to 1.5 tons.
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