中国古代山水画和西方浪漫主义风景画就分别体现了这两种审美观照方式。
Ancient Chinese landscape painting and romantic western landscape painting embody these two aesthetic modes separately.
象征主义文学以浪漫激情与现实责任的互为纠缠确立了自己的艺术立场，以丑与美的对立统一表现了自己的审美追求。
It establishs its artistic stand with the mixture of the romantic feeling and realistic responsibility, it expresses its aesthetic seeking with the unity of opposite between ugly and beauty.
秦汉审美文化既不是“现实主义”，也不是“浪漫主义”，而是以外向和谐的壮丽为总体时代特色的古典主义。
The aesthetic culture of Qin and Han dynasties is neither "realism" nor "romanticism", but "classicalism" whose main features are outward harmonious splendor.
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