没骨画（boneless painting （mò gǔ huà））为中国画的一种画法。在书法里把笔锋所过之处称为“骨”，其余部分称为“肉”，不用勾轮廓，不要打底稿，更不能放底样拓描。作画时，要求画者胸有成竹，一气呵成。
The mogu painting hasn't been taken into account even though in the new century.
进入新世纪,人们对没骨画发展的重视程度仍然不够。
参考来源 - 恽寿平和现代没骨画·2,447,543篇论文数据，部分数据来源于NoteExpress
朱宣咸爱画寿桃，往往运用没骨大写意画法，将桃画得很大，具有强烈的视觉冲击力。
Zhu Xuanxian likes painting the peaches of longevity, which are usually in large sizes and adopt hidden trunks and large impressionistic-style skill, giving strong visual impact.
本文通过对该图的分析，再参照其他作品，概括出王渊花鸟画的笔墨特征：一、以墨代色，笔精墨妙；二、勾勒、没骨，相得益彰；三、师“黄”借“徐”，自创一格。
With some reference from other works, this article analyzes the features of Wang Yuans flower-and-bird painting and draws the following conclusion:1.
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