多数学者把它等同于沃尔特·本雅明的“以后生存”。
Many scholars regarded it as the counterpart of Walter Benjamins "afterlife".
沃尔特·本雅明(1892 - 1940)一直以来被看作法兰克福学派的边缘人物。
Walter Benjamin (1892-1940) has been regarded as a margin to the Frankfurt School for a long time.
根据沃尔特·本雅明在《拱廊街计划》中对于消费主义中心的讨论，“没有，有”这个展览计划所思考的是展示的条件和对展示的期望。
Following Walter Benjamin's concern with centres of consumerism in the Arcades Project, Nothing, or Something is preoccupied with the conditions and expectations of display.
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