通过对王建中先生及其钢琴作品、钢琴改编曲的了解，从教学的角度着重探析作品《云南民歌五首》的演奏技巧与教学难点。
By knowing about Mr Wang Jianzhong and his piano compositions, the author analyses the piano-play techniques and difficulties in teaching.
《八首匈牙利农民歌曲钢琴即兴曲》是巴托克民歌改编曲中，最鲜明地体现出他和声理论的作品。
Improvisations on Hungarian Peasant Songs, as one of the folk arrangement of Bartok, distinctly manifests his harmony theory.
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