然后，如果我们发现某个实践不再模仿现实世界，则应该对其进行更新。

Then, if we find that a practice no longer models the real world, it should be updated.

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不应该模仿现实世界(例如，通过视频的使用)，而应该使用社会代理的概念。

Instead of imitating the real world (through the use of videos, for example), use the concept of social proxies.

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在《霸王别姬》中，程蝶衣因持续模仿与自己完全不同的人物和性格，对现实和戏剧世界之间界限认识模糊，并由此形成第二天性。

In Farewell, Concubine, Chen Dieyi continually took off completely different characters and formed a second nature as the result of his vague cognition of the ambit between reality and drama.

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