我在西尼·科尔森和矿工十分钟的交谈，成了我最后的采访。

My 10-minute CONVERSATION WITH THE miner in West Nicholson turned out to be my last interview.

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在以前的准主持人表演中，最后你被要求在采访某人的时候跳蹦床。

In the old host-to-be performance, the final thing you were required to do was to jump on a trampoline while interviewing somebody.

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这个采访让我们知道那是一个多么恐怖的最后时刻。

The interview gives an idea of how terrifying and confusing his final moments must have been.

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This is why in the last passage on your sheet from the interview with Stefano Rosso, de Man is willing to venture on a categorical distinction between his own work and that of his very close friend, Jacques Derrida.

那就解释了为什么在纸上的最后一段,选自斯蒂法诺，罗素的采访，德曼愿意在自己的作品与他的密友雅克，德里达的作品,之间一个绝对的差别上冒险。

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