介入是无功利的功能在场，是改变我们观看艺术、欣赏艺术的原有的被动方式，但不是简单的机械互动。
Intervention is a non-utilitarian and functional "Anwesen", changing our passive way of viewing art and appreciating art, but it is not a simple mechanic interaction.
其关于“审美无功利性”与“自由美”的命题涵盖了艺术的自律性诉求，成为审美现代性的一个重要特征。
Aesthetic unutilitarian and free beauty directly lead to the self-discipline of art, and therefore become a major characteristic of Aesthetic modernity.
他通过揭示权力与知识的不可分离而对传统的无功利知识的思想给予了彻底批判，认为那是启蒙运动的叙事。
He animadverted on the thought of traditional non-utilitarian knowledge, which narrated by initiatory campaign via disclosing the impartibility of power and knowledge.
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