这种必然性, 用莱布尼兹的名词说,就叫「形而上的必然性(metaphysical necessity),这并不是说感性是形而上的。照朱子的说法,感性是属于气,是形而下的,但形而下的气,并不是可有可无,可以随便拿掉的。
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而且,如同我们已经见到的,形而上学必然性可以通过检验哲学上的有关直觉从而先验地发现。
And, as we've seen, metaphysical necessities can be discovered apriori by examining philosophically relevant intuitions.
本文分三章展开讨论。在第一章,通过对技术与形而上学关系的思考,我们揭示了海德格尔在中后期转向追问艺术的必然性。
In the first chapter, we reveal the inevitability of Heidegger turning to study art and poetry by analyzing the relationship between technique and western metaphysics.
而现在,克里普克仿佛救活了哲学,因为还存在着许多形而上学的必然性。
But now it appears that Kripke has saved the bacon since there are, in any case, plenty of metaphysical necessities.
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