这是复杂的东西,不论是复音还是对位法。
在对位法上,如果高处有旋律,像马库斯说的,那在中间,还有另一部分,那是什么呢?
If we had melody up above in kind of a counterpoint, as Marcus says, there, in the middle, what was the — we had one other part, and what was that?
复对位是对位法中一种重要的技巧,在学习对位法时,复对位也是较难理解的内容之一。
The technique of double-counterpoint is one of the most important compositional methods, besides, it is also the most difficult part to comprehend in the study of counterpoint.
Now there's another kind of counterpoint called "Free counterpoint" where it's highly independent lines are sounding but they're not imitating one another.
现在又有了另外一种,对位法叫作,自由对位,乐曲里独立的声线同时进行,但是没有彼此模仿
If we had melody up above in kind of a counterpoint, as Marcus says, there, in the middle, what was the-- we had one other part, and what was that?
在对位法上,如果高处有旋律,像马库斯说的,那在中间,还有另一部分,那是什么呢
So it's complex stuff, this polyphony or this counterpoint.
这是复杂的东西,不论是复音还是对位法
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